This project was initiated by "invisible Memphians" who asked Robert Gordon to work with DeWayne Moore, of the Mt. Zion Memorial Fund, and design an appropriate headstone to mark the grave of Frank Stokes. Moore conducted research on the life and music career of Stokes, and he consulted with the veteran blues scholars of the Real Blues Forum, specifically Bob Eagle and Alex van der Tuk, who helped discern the earliest document that contained the birthdate of Stokes. Moore also worked with the fine folks at New Park Cemetery--Julie Levy and Hal Mandelmann--to design and install the headstone of Frank Stokes. New Park Cemetery also offered its expertise in resetting the large, thick upright headstone of Furry Lewis.
Bill Dries, "Frank Stokes, Epitome of the 'Memphis Sound,' Given Just Memorial," Memphis Daily News, July 1, 2016
Saturday, July 2, 2016
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A Biography of Charley Patton (Part 1) David Evans won a Grammy award in 2003 for “Best Album Notes” for the following essay in Revenant...
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by David Evans [In the 1920s and 1930s, the key link between the various local folk musics and their eventual capture on commercial dis...
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Scotty Peeples and the Nowell Memorial Funeral Home erected the monument o n the afternoon of February 23rd, 2011. Photo: T. DeWayne Moor...
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By Laurel Hughes - Clarion-Ledger - 1986 Mississippi has, of all 50 states, been one of the half dozen leading contributors to th...
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"On The Trail Of a Delta Bluesman" Eddie 'Son' House sang the blue's in Mississippi in the '20s. Then he vanish...
