Lonnie Pitchford

Bill Steber, of Murfreesboro, Tennessee, playing the diddley bow at the dedication ceremony
© Euphus Ruth 1998
On October 8th, 2000, the Mt. Zion Memorial Fund dedicated the large granite headstone of Lonnie Pitchford at the Newport Baptist Church cemetery in Ebenezer, Mississippi--only a few feet from the headstone of Elmore James. Specially designed with a playable, one-string diddley bow mounted on the side--per the wishes of his family--the funding for the memorial came from John Fogerty and Rooster Blues Records. His death at an early age was a blow to the hearts of many in the Mississippi musical community and the memorial service held on a frosty fall evening was attended by dozens of family, friends, and blues fans.

Lonnie Pitchford was born October 8, 1955 near Lexington, Mississippi. His mother Rosie S. Pitchford had two daughters, Ersine and Brenda, and four more sons named Willie Douglas, Andrew James, Edward Charles and Roosevelt. Raised about five miles outside of Lexington, he made a one-string instrument called the ''diddley bow'' at the age of five years old. In the liner notes to the only full length album he ever released, .All Around Man, Pitchford talks about his diddley bow:
"When I was five or six, I would make a one-string guitar upside the wall. I would get me some baling wire or wire from a broom that my Mom had discarded, and some old rusty nails - didn't have new ones - I had to pull them out of the old boards. Then I would pound them into the wall upside the house, wrap the wire at both ends and lay a snuff can under the bottom. Then I'd just go to playing anything that came to mind."
While playing in several bands in his teen years, he learned a host blues songs. He also enjoyed playing in church groups, which he started doing at the age of twelve. In 1971, the fourteen year-old met folklorist and ethnomusicologist Worth Long, who recognized his talent and late booked him to perform at the Smithsonian Festival of American Folk-life. His warm reception solidified the youngster's reputation and position alongside some of the living masters.

Lonnie Pitchford learned his Delta blues from Eugene Powell, of Greenville, who recorded with Bo Carter, of the Mississippi Sheiks. He also learned Delta blues from Robert Junior Lockwood, whose stepfather was Robert Johnson. When Lonnie Pitchford was thirty-six, he toured Australia, Europe, and the United States. Besides singing blues or making records, he was a gifted musical instrument maker and carpenter, alternating between the two occupations, framing houses and playing at blues festivals across the country. Lonnie Pitchford contributed one or more songs to several compilations and movie soundtracks from 1980 until his death,
  • All Around Man (Rooster CD R2629) his only solo album
  • Living Country Blues USA Vols 7, 9, 10 (1980)
  • Roots of Rhythm and Blues: A Tribute to the Robert Johnson Era (CBS 48584)
  • Deep Blues (Atlantic 82450-2)
  • National Downhome Blues Festival (Southland SCD-21)
  • The Harry Smith Connection: A Live Tribute To The Anthology Of American Folk Music (CD SF 40085)
  • Played slide guitar on one track of John Mellencamp's album Mr. Happy Go Lucky
© Bill Steber 2009








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