Saturday, March 11, 2017

Henry Stuckey's Grave

The Grave of Henry Stuckey
Creator of the Bentonia Blues

Henry Stuckey, of Satartia, was playing a distinctive kind of music during the early 1900s that paved the way for a school known today as "Bentonia Blues." According to David Evans, a devotee of blues and professor of anthropology at California State University, the "Bentonia Blues" guitarists use mainly an open D minor tuning and an intricate picking style. The singing covers a wide range with a tendency to begin high, then "tumble" to a lower final pitch.

The military marker of Henry Stuckey at
Pleasant Grove Missionary Baptist Church Cemetery, Bentonia, Yazoo County, Mississippi
As these musicians traded ideas in the semi-isolated area of Bentonia, James and Owens perfected the style by adding dark, introspective lyrics. With his overwhelming personality coming through his recordings, James created a haunting and unique sound that continues to influence blues and folk music today. Though James died in 1969 and Owens in 1997, and Bud Spires in 2014, this local style is preserved in the playing of Jimmy "Duck" Holmes.







Friday, March 10, 2017

Bentonia's Blue Front Cafe is where the famous Yazoo blues had its beginning


Yazoo County Blues, a Well-Kept Secret (2 of 3)
Bentonia's Blue Front Cafe is where the famous Yazoo blues began

By The Rev. Ken Cook Special to The Yazoo Herald 1999

Click HERE to read Part 1

THE BLUE FRONT CAFE in Bentonia is a historic focal point for blues enthusiasts. Owner Jimmy Holmes, standing right, says hardly a week goes by that he doesn't have visitors and telephone calls from Los Angeles, New York, or cities around the world where blues lovers want to found out all they can about the roots of Mississippi Delta—and Yazoo County—blues. Enjoying a Sunday afternoon on the Blue Front porch are Joe Louis Harris and his son, Terrell, of Bentonia.
By the time Bentonia's Skip James had recorded his first songs in 1931, the Depression had pushed record company executives to establish two policies: (A) blues singers would be men, not women, and (B) blues music would be performed by and marketed to blacks--not whites.

The first notable hit by a blues singer had been Mamie Smith's "Crazy Blues" of 1920, which sold 75,000 copies in its first month. The other early stars had included "Ma" Rainey and Bessie Smith, who traveled the vaudeville circuits with full jazz bands; Bessie was accompanied in the studio by the likes of Louis Armstrong on cornet, Fletch Henderson on piano, and Benny Goodman on clarinet.

Meanwhile, Meridian Jimmie Rodgers and his early imitators, including Gene Autry, sang "T. B. Blues" and "In the Jailhouse Now, No. 2." Due to the "race record" policy Rodgers and Autry would become "country musicians" and stick to tunes like "Waiting for a Train" and "Back in the Saddle Again." In order to cut costs and simplify marketing, the search was on for individual black men who played guitars and sang.

Mary Johnson (Smith) of Eden, MS
So Mary Johnson (born Mary Smith about 1900 in Eden) was fortunate to be able to record at the Paramount Studios in 1930.

She is known to be the author of at least ten tunes; as well, it seems likely that she wrote the most widely recorded blues song, "Baby Please Don't Go." Big Joe Williams, first to record this tune on December 12, 1941, testified that Mary was the source of this blues song which has seen over 200 versions.

Only two of her songs are still available. Vol. 11 of Rhino's Blues Masters: Classic Blues Women will give the listener a chance to hear Mamie Smith, "Ma" Rainey, Bessie Smith, and Mary Johnson, singing her "Barrel House Flat Blues".

The little that is known about either Tommy McClennan, "born near Yazoo City" April 8, 1908, or Robert Petway, "born near Yazoo City," comes from the testimony of Big Bill Broonzy, the first Mississippi bluesman to record.

McClennan's 42 songs for a Chicago recording firm are all available on the two CD set Tommy McClennan, The Bluebird Recordings, 1939-1942.

Petway’s 14 songs recorded in 1941 and 1942 can be found on Mississippi Blues by the Wolf label, Vienna Austria, an indication of the popularity of blues music in Europe. Both McClennan and Petway are capable of playing their acoustic guitars fast and loud.

Both sing with great enthusiasm, often laughing. McClennan's best known songs are "Bottle It Up and Go" and "Cross Cut Saw." Petway was a trend setter. His "Catfish Blues" was reworked by Muddy Waters for his 1950 breakthrough "Rollin' Stone," which, in turn, was to influence some British rockers so much that they named their band for this take on Petway's song.

Many versions of "Catfish" are currently available. Likewise, Petway's "My Baby Left Me" was revised by Arthur "Big Boy" Crudup; this revision was then copied by Elvis Presley in 1956 and became a hit. "My baby left me, never said a word..." Perhaps the reader remembers a version by Creedence Clearwater Revival, Elton John or John Lennon. McClennan and Petway were both essentially "country bluesmen" like Skip James…

America was starting to come out of the Depression due to the arms buildup and World War II; the producers in Chicago could afford to have major Bluebird artists accompanied by an upright bass, and sometimes, a rhythm guitarist. The Chicago blues band, finally realized by Muddy Waters and associates around 1950, was slowly developing.

The Yazoo County Blues--A Three-Part Series Blues enthusiasts come to Yazoo County, especially to the town of Bentonia, in search of the Yazoo County Blues and the artists, like Skip James, who helped make the Blues what they are today. This three-part series is running consecutive Wednesdays in December. Don't miss the last article


Next week: the Yazoo blues spreads worldwide 

Thursday, March 9, 2017

Yazoo County Blues, a Well-Kept Secret

Yazoo County Blues, a Well-Kept Secret (1 of 3)
By The Rev. Ken Cook Special to The Yazoo Herald - December 1999

[In December 1999, The Yazoo herald ran a series of three articles on the blues of Yazoo County, written by Ken Cook, the son of Ida Johnston Cook and the grandson of Luther D. and Sallie Johnston in the Scotland community. He and his wife, Margie, and their children, Abbi and Phil, live in Abington, PA. An Episcopal priest, he is associate rector of St. John's Episcopal Church in Huntingdon Valley, PA (a northern suburb of Philadelphia). His relatives in Yazoo City include his aunt, Margaret Johnston and his cousins, John and Sally (Johnston) Davis, Garry and Elaine (Johnston) Roark and Robbie and Margaret (Davis) Yerger. Other Mississippi relatives live throughout the Jackson area and in Tupelo and Ocean Springs. Most of his best, early memories focus on being with his mother's large family in Yazoo County at Christmas or for ten days each summer. His interest in blues music began when he first heard Howlin' Wolf sing "Highway 49." Studying the blues functioned both as a hobby and as a way of keeping in touch with his own Southern roots.

During the summer of 1998 Vanguard Records released a new compact disc (CD) entitled Blues from the Delta.  Composed of 20 songs written and performed by the legendary Skip James as early as 1931 - but most of the songs date from the mid to late 1960s. This collection has been painstakingly remastered in the studio and includes two previously unreleased songs.

The artwork and notes on the back of the packaging proclaim Skip James as the "Founder of the Bentonia school of Delta blues."

Other CDs featuring the work of this Yazoo County bluesman include Skip James - Greatest of the Delta Blues Singers, the Yazoo Records' The Complete Early Recordings of Skip James and 50 Years - Mississippi Blues in Bentonia.

Nehemiah Curtis James was born on June 9, 1902 in Yazoo County. Was he born in Bentonia or Yazoo City?

His biographer, Stephen Calt, working from hours of taped interviews with Skip, is certain that James was born at the African American Hospital in Yazoo City and raised on the Whitehead plantation near Bentonia.

Around 1917 James began to learn the guitar from a popular local entertainer, Henry Stuckey of Satartia. Later he began to study the violin and piano as well.

Working as a laborer and musician, Skip got his break by means of a 1931 audition with H. C. Speir, a talent scout for Paramount, at his Jackson music store. This resulted in a trip to Grafton, Wisconsin.

The Depression largely destroyed the recording industry, and James wandered throughout the South during much of his life.



Sick--it would turn out to be cancer--he was “rediscovered” by young blues enthusiasts at a hospital at Tunica in 1964.

Within a few weeks, he was performing again, this time at the Newport (RI) Folk Festival.

Two years later the English "super group" (with Eric Clapton), recorded a loose rock version of Skip's I'm So Glad, drawing international attention to this Mississippi native.

He toured widely throughout the United States (and Europe in 1967), while recording ten albums. He died in 1969 and is buried in Merlon Memorial Park, suburban Philadelphia, Pennsylvania, his gravestone being donated by admirers, including Clapton.

Skip James' music provides a classic example of what blues is all about, even though it is somewhat atypical. Singing in a near-falsetto, he usually sounds all alone as he laments the woes of his youth (Hard Luck Child) or his broken marriage (Devil Got My Woman).

But a wry sense of humor seems to lurk behind many of the songs (if You Haven't Any Hay, Get on Down the Road).

Perhaps due to the influence of his father, a late-in-life pastor, he performs first-rate gospel tunes: Jesus Is a Mighty Good Leader. His complicated guitar solos sound eerily like 1940s field recordings from West Africa, while his stop-and-go piano work seems downright Celtic.

His Little Cow and Calf Is Gonna Die Blues (1931) would spawn themes which his peers would explore within a faithful but expanding tradition: Milkcow Blues (Kokomo Arnold, 1934), Milkcow's Calf Blues (Robert Johnson, 1937), and Milkcow Blues Boogie (Elvis Presley, 1954).

Yazoo County is home to at least nine other recorded blues musicians. In the next two parts of this series, we will briefly consider them.

For further reading, consider Robert Palmer's Deep Blues, Paul Trynka's Portrait of the Blues (which includes photos from Yazoo County) and Stephen Calt's I'd Rather Be the Devil: Skip James and the Blues

The Yazoo County Blues--A Three-Part Series Blues enthusiasts come to Yazoo County, especially to the town of Bentonia, in search of the Yazoo County Blues and the artists, like Skip James, who helped make the Blues what they are today. This three-part series will run consecutive Wednesdays in December. Don't miss them! 

Wednesday, March 8, 2017

"The Slaves of Capitalism": 
Convicts and Felons after the Civil War
Until 1928, companies leased' Alabama convicts — mostly black and poor sending them to coal mines for cheap, unorganized labor
By Douglas A. Blackmon for The Wall Street Journal - 2001

BIRMINGHAM

On March 30, 1908, Green Cottenham was arrested by the Shelby County, Ala., sheriff and charged with vagrancy. After three days in the county jail, the 22-year-old African-American was sentenced to an unspecified term of hard labor. The next day, he was handed over to a unit of U.S. Steel Corp. and put to work with hundreds of other convicts in the notorious Pratt Mines complex on the outskirts of Birmingham. Four months later, he was still at the coal mines when tuberculosis killed him. Born two decades after the end of slavery in America, Green Cottenham died a slave in all but name. The facts are dutifully entered in the handwritten registry of prisoners in Shelby County and in other state and local government records. In the early decades of the 20th century, tens of thousands of convicts — most of them, like Mr. Cottenham, indigent black men — were snared in a largely forgotten justice system rooted in racism and nurtured by economic expedience.

Until nearly 1930, decades after most other Southern states had abolished similar programs, Alabama was providing convicts to businesses hungry for hands to work in farm fields, lumber camps, railroad construction gangs and, especially in later years, mines. For state and local officials, the incentive was money; many years, convict leasing was one of Alabama's largest sources of funding.

Assault with a stick

Most of the convicts were charged with minor offenses or violations of "Black Code" statutes passed to reassert white control in the aftermath of the Civil War. Mr. Cottenham was one of more than 40 Shelby County men shipped to the Pratt Mines in the winter of 1908, nearly half of them serving time for jumping a freight train, according to the Shelby County jail log. George Roberson was sent on a conviction for "assault with a stick," the log says. Lou William was in for adultery. John Jones for gambling. Subjected to squalid living conditions, poor medical treatment, scant food and frequent floggings, thousands died. Entries on a typical page from a 1918 state report on causes of death among leased convicts include: "Killed by Convict, Asphyxia from Explosion, Tuberculosis, Burned by Gas Explosion, Pneumonia, Shot by Foreman, Gangrenous Appendicitis, Paralysis."

Mr. Cottenham was one of dozens of convicts who died at the Pratt Mines complex in 1908. This form of government and corporate forced labor ended in 1928 and slipped into the murk of history, discussed little outside the circles of sociologists and penal historians. But the story of Alabama's trade in human labor endures in minute detail in tens of thousands of pages of government records stored in archives, record rooms and courthouses across Alabama.

These documents chronicle another chapter in the history of corporate involvement in racial abuses of the last century. A $4.5 billion fund set up by German corporations, after lawsuits and intense diplomatic pressure from the U.S. and others, began making payments last month to the victims of Nazi slave-labor programs during the 1930s and 1940s. Japanese manufacturers have come under criticism for their alleged use of forced labor during the same period. Swiss banks agreed in 1998 to a $1.25 billion settlement of claims related to the seizure of Jewish assets during the Holocaust.

Traditions of segregation

In the U.S., many companies — real-estate agents that helped maintain rigid housing segregation, insurers and other financial-services companies that red-lined minority areas as off-limits, employers of all stripes that discriminated in hiring —helped maintain traditions of segregation for a century after the end of the Civil War. But in the U.S., recurrent calls for reparations to the descendants of pre-Civil War slaves have made little headway. And there has been scant debate over compensating victims of 20th century racial abuses involving businesses.

The biggest user of forced labor in Alabama at the turn of the century was Tennessee Coal, Iron & Railroad Co., the U.S. Steel unit that owned the mine where Mr. Cottenham died. Dozens of other companies used convicts, too, many of them now defunct or absorbed into larger businesses. Executives at some of the corporate descendants say they shouldn't be asked to bear responsibility for the actions of executives long dead or the practices of businesses acquired decades ago.

U.S. Steel says it can find no evidence to suggest that the company ever abused or caused the deaths of convicts in Alabama. U.S. Steel spokesman Thomas R. Ferrall says that concerns voiced about convict leasing by Elbert H. Gary, the company's chairman at the time, helped set the stage for "knocking the props out from under" the system. "We think U.S. Steel proper was a positive player in this history . . . was a force for good," Mr. Ferrall says.

The company's early presence in Alabama is still evident a few miles from downtown Birmingham. There, on a hill-side overgrown with brush, hundreds of sunken graves litter the ground in haphazard rows. A few plots bear stones. No other sign or path marks the place. Only a muddy scar in the earth — the recently filled-in mouth of a spent coal mine —suggests that this is the cemetery of the Pratt Mines complex.

When Mr. Cottenham died in 1908, U.S. Steel was still new to convict leasing. But by then, the system was decades old and a well-oiled machine.

After the Civil War, most Southern states set up similar penal systems, involving tens of thousands of African-Americans. In those years, the Southern economy was in ruins. State officials had few resources, and county governments had even fewer. Leasing prisoners to private individuals or companies provided revenue and eliminated the need to build prisons. Forcing convicts to work as part of their punishment was entirely legal; the 13th amendment to the U.S. Constitution, adopted in 1865, outlaws involuntary servitude — except for "duly convicted" prisoners.

Convict leasing in other states never reached the scale of Alabama's program. By the turn of the century, most states had ended the practice or soon would because of opposition on humanitarian grounds and from organized labor. Convict leasing also wasn't well-suited to the still largely agrarian economies of most Southern states.

But in Alabama, industrialization was generating a ravenous appetite for the state's coal and iron ore. Production was booming, and unions were attempting to organize free miners. Convicts provided an ideal captive work force: cheap, usually docile, unable to organize and available when free laborers went on strike.

Incentives to Convict

Under the convict-leasing system, government officials agreed with a company such as Tennessee Coal to provide a specific number of prisoners for labor. State officials signed contracts to supply companies with large blocks of men — often hundreds at a time — who had committed felonies. Companies entered into separate deals with county sheriffs to obtain thou-sands more prisoners who had been convicted of misdemeanors. Of the 67 counties in Alabama, 51 actively leased their convicts, according to one contemporary newspaper report. The companies built their own prisons, fed and clothed the convicts and supplied guards as they saw fit.

In Barbour County, in the cotton country of southern Alabama, nearly 700 men were leased between June 1891 and November 1903, most for $6 a month, according to the leather bound Convict Record still kept in the courthouse base-ment. Most were sent to mines operated by Tennessee Coal or Sloss-Sheffield Steel & Iron Co., another major industrial presence in Birmingham. Sheriffs, deputies and some court offi


Please see Convicts  Page 3F